This week, we read two portions, Vayakhel and Pekudei, both about the building of the Tabernacle. This is a communal affair, with all the people asked to give what they can, whether gold or talent. As a poet, I love that the names of artists are preserved in the text: “Now Bezalel, son of Uri son of Hur, of the tribe of Judah, had made all that the Lord had commanded Moses; at his side was Oholiab son of Ahisamach, of the tribe of Dan, carver and designer and embroiderer” (Exodus 38: 22-23). Indeed, Moses “calls” every skilled person to take part in the task. I was reading this section around the time my daughter turned 18, and it prompted me to think about her calling.
I watch you listening for this call, wondering
which of the divine skills will fashion your life.
I think to warn you, “Years aren’t adamant;
they don’t stay still while you incise some meaning
into them; a life’s not gold, to pour
into a mould or solder to another’s.
Even the loom, that mythic equivalence
for what we make with the riches we’re given—
weaving a strand of honor, a thread of love—
won’t stand for the accounting we must present
of how we let our gifts be used. “As clay
in the hand of the potter, who thins or thickens it
at will,” so the hymnist proclaims are we
“in the hand of a gracious G-d.” My dearest girl,
gifted with music, what does the Lord require?
That when the task presents itself, you must,
a tuning fork struck, take up your skillful song.
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